Farang: Red and Yellow

Farang: Red and Yellow is a 24 page comic exploration into the 2014 Thai coup d'etat through the lens of a western eye. I created this comic with the intention that Thailand's Coup crisis will enter the public consciousness and spark a conversation.

Anglepoise Living Lamp: one of the winning books

Living Lamp was a professional brief set by British lighting maker Anglepoise® for final year BA Illustration students at the University of Portsmouth. Over 40 students were tasked with bringing an Anglepoise® lamp to life by exploring the narratives around their anthropomorphic qualities through a single concertina sketch book. Each concept was kept under wraps until the end of the campaign, when all the sketchbooks were presented simultaneously. 9 winners were selected by Anglepoise® Brand



My Narrative was selected as one of the 9 winners, It was an exciting experience working in secret from my piers and the Anglepoise company, which made the big reveal event both tense and exciting. 

Preview Spreads of 'Farang: Red and Yellow'

production on Farang is going well, interpreting heavier themes through an aesthetic thats relatively new to me has been equally exciting and unnerving. Farang features a look thats intended to strike a middle ground between the underground antiestablishment comics of the 1960's and 70's and a more modern independent look thats more widely seen now. 

A brief preview of the comic i'm currently working on "Farang: Red and Yellow"

Latest comic work

A brief preview of some of the mini comics i'm currently working on, a lot of heavily textured work. looking into exploring this print textured look further.

A2 "Space Crusader" poster

Today I managed to get my hands on a high quality, matt, heavy stock poster print of my "Space Crusader" design. really happy with how this print came out.

Held up to get a better idea of the scale

Breaking Bad: What's the matter, Chief?

Work based on my favourite scene from Breaking Bad season one, where jocks are making fun of Walter Jr. and, being on the brink, Walter White exits the scene from the back of the building and renters through the front and kicks a jock in the back of the knees and says "What's the matter, Chief? having trouble walking." I found the scene extremely powerful and, for me, it demonstrates what a person can do when pushed to breaking point.

This composition was made for a competition with Little White Lies magazine